tag:prototyping.posthaven.com,2013:/posts prototyping social forms 2021-05-31T15:29:08Z Synthesis Center tag:prototyping.posthaven.com,2013:Post/1697241 2021-05-31T15:29:08Z 2021-05-31T15:29:08Z Notes for PSF
Nicole Anand, The Residency
https://www.collectivist.me/

https://anxiaomina.substack.com/p/elephant-problems-the-limitations

https://superflux.in

Anab Jain and Jon Ardern, https://superflux.in/index.php/about/#

Plus a critique of Google/ Alphabet’s Sidewalk project for Toronto
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tag:prototyping.posthaven.com,2013:Post/1683646 2021-04-26T17:13:16Z 2021-04-26T17:13:16Z Humane infrastructures, Patrik Svensson
Dear PSF friends,

Patrik Svensson (Uppsala Sweden)
Convened humane infrastructures symposium at UCLA March 2020
is working on extensions… 
more generally exploring how the humanities participate in some larger, or more transverse projects from the world.
Xin Wei
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tag:prototyping.posthaven.com,2013:Post/1655290 2021-02-17T16:35:04Z 2021-02-17T16:35:04Z Barthes neutrality … Laozi 無爲 Wúwèi
To record an exchange from PSF

Muindi: In light of our talk about institutions that play the role of neutral facilitator in geopolitics and individuals who play the role of neutral facilitators in games and play scenarios, I wanted to share with you all some quotations from Roland Barthes' lectures on The Neutral, a book which I am very, very fond of and that I think would make great reading for the PSF group, alongside his lectures on How to Live TogetherI send this because I think that Roland Barthes has a lovely way of talking about neutral party as a passionate figure rather than a dispassionate one. What's more, Barthes phrase "outplay the paradigm" (rather than "playing into the paradigm") could be a very useful phase to empower a facilitator within the context of types of games and play scenarios that we were discussing. (edited) 
Untitled document (3).jpg

In a related timbre, Stefano Franchi, Niklas Damiris, and Helga Wild wrote a deep book on Passivity, which exists only as an unpublished ms.  A source for these diverse Western turns away from modernity: Bathes,  passivity, Heidegger’s standing in reserve, and Merleau-Ponty’s notion of constitution is Laozi’s Daodejing.  Here’s an introduction by Steve Coutinho to the daoist concept of wúwèi:
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1649065 2021-02-03T12:20:25Z 2021-02-03T12:20:26Z PSF germ bank from Feb 1
Dear Prototyping Social Forms folks,

Here's the recording (and transcript) of the most recent PSF, where we heard from Teoma about the exclusion game, and Muindi about the semiotic circuit game.    It may be helpful to pack each germ with a bit of the earth from which it sprang, i.e. some words about how it was / has been used.

Prototyping Social Forms PSF Germ Bank 210201
Start Time : Feb 1, 2021 09:57 AM

And for good measure, the previous 
Prototyping Social Forms PSF Germ Bank 210118
Start Time : Jan 18, 2021 09:47 AM

Xin Wei
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tag:prototyping.posthaven.com,2013:Post/1625812 2020-12-08T17:04:46Z 2020-12-08T17:04:46Z Fwd: some etudes for process germ bank Alter-Eco Prototyping Social Forms reverb
Dear Everyone,

Looking forward to seeing what seeds people come up with for this process germ bank…

Here are some germs called "etudes” that I’d like to enter into the process germ bank

Improvisational Environments Etudes

Lighting and Rhythm Etudes

The seeds are for sharing.

Apologies in advance — I will start the recording for our work session today but must leave early to take care of family…
Muindi, may I pass the baton to you for hosting this session today and finishing the recording?

Take care,
Xin Wei
_________________________________
On Nov 29, 2020, at 4:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:
Hi all,
Thanks again for joining in the Alter-Eco/PSF reverb discussions that have taken place since November 2nd. Some of us are preparing some "process germs" to share with the group in response to our last discussion, but I don't think that these are ready yet. Thus, this week, I think we could discuss some potential texts to collaborate on and that we would feature on the Alter-Eco/PSF website alongside those "process germs" that can be dispersed digitally (again, as we discussed, some "process germs" that we are imagining can only be dispersed experientially or materially).

Below are links to some of texts written in response to the Alter-Eco/PSF sessions this past summer. Feel free to briefly skim them, but note that we do not need to draw from them.
]]>
tag:prototyping.posthaven.com,2013:Post/1625806 2020-12-08T16:49:23Z 2020-12-08T16:49:23Z Muindi F Muindi: recordings, next PSF Jan 4, 2021!
Thanks for leading off the meeting and for facilitating the recording, Xin Wei. And thanks to Desiree and Dulmini for the great conversation. 

A scheduling question, with quarters/semesters ending and the holiday season upon us, shall we hold off on meeting till Monday, January 4th, at 12PM EST

In the meantime, there could be some sharing of "process germs" and framing texts via email/Slack.

Finally, Xin Wei, I think the phrase "holding intentions light-ly" is quite fitting and fun to pun. All are welcome to diffract, refract, reflect, and transduce the expressed intentions as is their wont.

Date: Nov 16, 2020 09:59 AM Arizona
Access Passcode: psf2020!

Date: Nov 30, 2020 09:51 AM Arizona
Access Passcode: psf2020!


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Synthesis Center
tag:prototyping.posthaven.com,2013:Post/1625805 2020-12-08T16:48:12Z 2020-12-08T16:48:12Z Alter-Eco Prototyping Social Forms reverb: Monday, November 30, 12PM EST recording
Date: Nov 16, 2020 09:59 AM Arizona
Meeting Recording
Access Passcode: psf2020!

Date: Nov 30, 2020 09:51 AM Arizona
Meeting Recording
Access Passcode: psf2020!

Worth a carefully listen, holding intentions lightly (as Alan Boldon put it) 

Let’s pack our seed balls shall we?  Thanks Muindi for the initiation!


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Synthesis Center
tag:prototyping.posthaven.com,2013:Post/1625804 2020-12-08T16:47:27Z 2020-12-08T16:47:27Z Muindi: notes from past
Nov 29, 2020, at 4:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:

Hi all,

Thanks again for joining in the Alter-Eco/PSF reverb discussions that have taken place since November 2nd. Some of us are preparing some "process germs" to share with the group in response to our last discussion, but I don't think that these are ready yet. Thus, this week, I think we could discuss some potential texts to collaborate on and that we would feature on the Alter-Eco/PSF website alongside those "process germs" that can be dispersed digitally (again, as we discussed, some "process germs" that we are imagining can only be dispersed experientially or materially).

Below are links to some of texts written in response to the Alter-Eco/PSF sessions this past summer. Feel free to briefly skim them, but note that we do not need to draw from them.


 ]]>
Synthesis Center
tag:prototyping.posthaven.com,2013:Post/1609970 2020-10-29T23:37:07Z 2020-10-29T23:37:07Z Re: Prototyping Social Forms, Nov 2 reverb Yes Monday 
I’m open 12:30 to nightfall 
for this 

Xin Wei

_____________________________
Herberger Institute for Design and the Arts + Fulton Schools of Engineering | ASU
Senior Fellow Building21 McGill | Fellow ASU-Santa Fe Center for Biosocial Complex Systems | Affiliate Faculty English, CIDSE
Professor European Graduate School | Associate Editor AI & Society Journal | Founding Director Topological Media Lab
]]>
Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1607483 2020-10-23T11:50:54Z 2020-10-23T11:50:55Z Prototyping Social Forms, Nov 2 reverb Great !  Thanks Muindi for calling us onward for the first reverb from our  prototyping social forms (PSF) seminars this past spring & summer.   I have blocked out 14:00 - 16:30 EST Nov 2  on my calendar,  but shall we confirm the hours?   (Shall we use shaxinwei ASU zoom in place of the original zoom, for purposes of documentation and availing ourselves of ASU’s automatic transcription, and infinite but time-limited video storage?)

Let me widen the call a little bit to welcome new potentially interested voices.  For newly cc’d friends: prototyping social forms is a fairly loose conversation over the past year that has spawned a few projects: for example:

(1)
http://synthesiscenter.net/projects/telematic-embodied-learning/
a practical socially-embedded  project with educators, e.g Phoenix Science Prep academy with autistic students;

(2) 
Potential curriculum: https://alternateecologies.weebly.com/
Field-tested in European Graduate School and prospectively Dartington UK
 
(3) art-tech-philosopicial experiment(s) under consideration
Extending from past

Xin Wei
___________________________________________
___________________________________________


On Oct 9, 2020, at 5:36 PM, Muindi F Muindi <muindi@uw.edu> wrote:

Hi team,

I am looking forward to catching up with many of you on November 2nd. I have taken the time to work up some of my notes from our sessions into sketches of texts we could collaborate on, and I have two (very rough) sketches that I can share now: one on "Defining Prototyping" (assembled from our Slack conversations) and another on "Measure and Intent". These two sketches outline insights rather than presenting a full-fledged argument for publication.

Please follow the links below and feel free to add questions, comments, criticisms, and affirmations as you will. One thing to note is that both texts end with propositions about "substrates", and I am curious as to whether there are ways to weave the two texts together.



Best,
Muindi

MUINDI FANUEL MUINDI

-- 
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tag:prototyping.posthaven.com,2013:Post/1568267 2020-07-03T01:14:50Z 2020-07-03T01:14:50Z Re: post-note on (topological) continuous transformations, Having said, that, absolutely this project is part of building a radical (to Western eyes, especially after 70 years of laboring under digital conceits and algorithmic thought, amplified by conventionally globalized and computational capital) alternative journey to alternative politics, art and techne.  

My goal here is just to seed the discussion with profoundly mutant notions.   I invite you to work with me on drawing in examples, cases, and experimental ventures in the political, economic, technological, institutional, and infrastructural spheres! 

Estimating optimistically, it is 3 books worth of work, hand in hand with many people, just to create a shadow-puppet play between this one and any one of those spheres.   Art, if it is not merely allegorical, critical or self-expression, may sometimes constitute a shortcut.   

Xin Wei
___________________________________________
________________________________________________

On Jul 2, 2020, at 9:01 PM, sxw asu <sxwasu@gmail.com> wrote:

(1) The “continuity” that Will pointed to, referring to a shared semantic / epistemic ground enabling a conversation that in Stenger’s terms risks exclusion or erasure imposed by asymmetric power, is, as far as I can tell,  pretty radically disjoint from what mathematicians mean by continuous.   So for the sake of conversation, let me suggest that we use a distinct word to point to that situation.   

(2) If for the purposes of exploring ontogenesis and individuation, we adopt the "as-if" of thinking in terms of verbs and adverbs instead of nouns, in terms of disequalities and fields in place of graph-theoretic entity-predicate-relation tropes, let’s try to get a working understanding of transformation and of topological i.e. what mathematicians call continuous transformation.  To that end, there’s the workshop on Primordial Concepts in Topology and Riemannian Geometry @ Vera Bühlmann and Ludger Hovestadt’s Metalithikum symposium

@14:00 Topological space (primordial to Riemannian manifold and fiber bundle, detourned by D&G, after Lautmann)
@28:00 continuous mapping (transformation)


What Is Topological Media?

Topological media for me is a set of working concepts, the simplest set of material and embodied articulations or expressions that allows us to engage in speculative engineer- ing, or philosophy as art, and to slip the leg irons and manacles of grammar, syntax, finite symbol systems, information and informatics, database schema, rules and pro- cedures. I argue that topological media is an articulation of continuous matter that permits us to relinquish a priori objects, subjects, egos, and yet constitute value and novelty.

Topology provides alternative, tough, durable, supple, and—to use Deleuze’s term— anexact concepts with which to articulate the living world, concepts like continuity, open set, convergence, density, accumulation and limit points, nondimensional, infi- nite, continuous transformation, topological space. To play on a motto from Latour, we have always been topological. It’s only in modern, or I should say modernist, times that we’ve been so enamored of digital representations, discrete logic, digital computa- tion, and quantization. I believe these concepts of continuity, openness, and transfor- mation also can inform how we evaluate art and technology and enrich the way we make them. There is nothing mathematically fancy about the elementary topology with which I begin, and this accords with my aim to make richness without complica- tion. Nonetheless, impelled by the way we approach ethico-aesthetic creation, we will appeal to significantly more developed mathematical patterns, most of which rigor- ously and poetically exceed the digital, discrete, computational domain.

The discrete drops out as a special case, by the way, so we are not losing anything of the graph theories (from syntax parsing trees to actor network theory), but just seeing them in their place would be enormously useful. The space of discrete graphs is so sparse as to be measure-theoretically null, entirely negligible at the human, meso scale.

It could be that one of the lures of the discrete has been the notion of choice, discrete choice, which in turn has been associated with freedom. But choice ≠ freedom. And indeed superfluity of choice may simply obscure freedom.

The lure is the possibility that these concepts could provide material and embodied ways to shape, unshape, rework, knead the world. Contemporary engineering is not based on the noncomputable, infinite, and continuous; therein lies the conceptual and technical challenge and interest. 

(PETM, p 5-6)
]]>
tag:prototyping.posthaven.com,2013:Post/1568265 2020-07-03T01:01:44Z 2020-07-03T01:01:44Z post-note on (topological) continuous transformations,

(1) The “continuity” that Will pointed to, referring to a shared semantic / epistemic ground enabling a conversation that in Stenger’s terms risks exclusion or erasure imposed by asymmetric power, is, as far as I can tell,  pretty radically disjoint from what mathematicians mean by continuous.   So for the sake of conversation, let me suggest that we use a distinct word to point to that situation.   

(2) If for the purposes of exploring ontogenesis and individuation, we adopt the "as-if" of thinking in terms of verbs and adverbs instead of nouns, in terms of disequalities and fields in place of graph-theoretic entity-predicate-relation tropes, let’s try to get a working understanding of transformation and of topological i.e. what mathematicians call continuous transformation.  To that end, there’s the workshop on Primordial Concepts in Topology and Riemannian Geometry @ Vera Bühlmann and Ludger Hovestadt’s Metalithikum symposium

@14:00 Topological space (primordial to Riemannian manifold and fiber bundle, detourned by D&G, after Lautmann)
@28:00 continuous mapping (transformation)


What Is Topological Media?

Topological media for me is a set of working concepts, the simplest set of material and embodied articulations or expressions that allows us to engage in speculative engineer- ing, or philosophy as art, and to slip the leg irons and manacles of grammar, syntax, finite symbol systems, information and informatics, database schema, rules and pro- cedures. I argue that topological media is an articulation of continuous matter that permits us to relinquish a priori objects, subjects, egos, and yet constitute value and novelty.

Topology provides alternative, tough, durable, supple, and—to use Deleuze’s term— anexact concepts with which to articulate the living world, concepts like continuity, open set, convergence, density, accumulation and limit points, nondimensional, infi- nite, continuous transformation, topological space. To play on a motto from Latour, we have always been topological. It’s only in modern, or I should say modernist, times that we’ve been so enamored of digital representations, discrete logic, digital computa- tion, and quantization. I believe these concepts of continuity, openness, and transfor- mation also can inform how we evaluate art and technology and enrich the way we make them. There is nothing mathematically fancy about the elementary topology with which I begin, and this accords with my aim to make richness without complica- tion. Nonetheless, impelled by the way we approach ethico-aesthetic creation, we will appeal to significantly more developed mathematical patterns, most of which rigor- ously and poetically exceed the digital, discrete, computational domain.

The discrete drops out as a special case, by the way, so we are not losing anything of the graph theories (from syntax parsing trees to actor network theory), but just seeing them in their place would be enormously useful. The space of discrete graphs is so sparse as to be measure-theoretically null, entirely negligible at the human, meso scale.

It could be that one of the lures of the discrete has been the notion of choice, discrete choice, which in turn has been associated with freedom. But choice ≠ freedom. And indeed superfluity of choice may simply obscure freedom.

The lure is the possibility that these concepts could provide material and embodied ways to shape, unshape, rework, knead the world. Contemporary engineering is not based on the noncomputable, infinite, and continuous; therein lies the conceptual and technical challenge and interest. 

(PETM, p 5-6)
]]>
tag:prototyping.posthaven.com,2013:Post/1567927 2020-07-02T14:26:06Z 2020-07-02T14:26:07Z cap and trade “indulgences” as an exquisite example of carbon capitalism
For the Alter-Eco Infrastructures Studio, we could take a look at cap and trade “indulgences” as an exquisite example of carbon capitalism perpetuating world-scale problems.

People debunked this crisply 20 years ago.  So what’s changed?

https://therealnews.com/columns/climate-crisis-keystone-xl-supreme-cap-and-trade-takes-hit-and-california-geoengineering
 

California Cap and Trade Case

In a June 12 ruling, the California Court of Appeal shot down a cap and trade system proposed in San Diego County which had served as a centerpiece of its Climate Action Plan proposed in 2011.

Per the Global Warming Solutions Act of 2006, every county must have a Climate Action Plan. San Diego County, the second most populous in the state and fifth most nationwide, proposed in 2011 to utilize a cap-and-trade carbon offset plan to enable real estate developers to continue “sprawl” style bailout of housing. That scheme, which allows those developers to purchase external carbon offsets as emissions allowances, came under fire by the climate and environmental movement though.

Responding, those groups—including Sierra Club, Center for Biological Diversity, Climate Action Campaign and others—filed a lawsuit saying that the cap-and-trade system will not solve the county’s climate issues, but rather exacerbate them. The groups argued that the plan ran counter to the California Environmental Quality Act because it did not properly analyze foreseeable emissions increases which could occur if put into place.

Cap-and-trade has long faced criticism from the climate justice movement for offering a de facto “indulgence” system for polluters—such as the fossil fuel industry, Big Ag and in this case Big Real Estate—to continue business as usual and then pay back for its emissions sins via offsets. Cap-and-trade also does little, they say, to tackle the pollution impacts faced by communities with people who are disproportionately working class and people of color.

In California, emissions from vehicles create 41% of the state’s greenhouse gas inventory, overwhelmingly the top emissions source in California. The plaintiffs in the case argued that the county’s cap-and-trade plan would only incentivize more buildout of housing in the county’s outskirts in its wildlands, in turn putting more vehicles on the roads.

Because its policy would have major impacts on the state’s ability to meet climate goals, California Attorney General Xavier also intervened in the case in October 2019, filing an amicus brief detailing why the state opposed the county’s plan.

“Ultimately, the CAP in its current form will perpetuate current sprawling development patterns, which will impede the ability of the region and State to reach their long-term climate objectives,” Becerra wrote of the San Diego County plan in his October 2019 amicus brief. “This is particularly concerning because of the crucial role of local governments in obtaining important [vehicle miles traveled] reductions.”

Ultimately, the Court of Appeal agreed, concluding that the county’s plan creates “unenforceable performance standards and improperly defers and delegates mitigation.”

“The CAP is not inconsistent with the County’s General Plan,” wrote the Court. “However, the County abused its discretion in approving the CAP because the CAP’s projected additional greenhouse gas emissions from projects requiring a general plan amendment is not supported by substantial evidence.”

San Diego County climate advocates celebrated the court ruling, calling it a win against “sprawl” style real estate development

]]>
tag:prototyping.posthaven.com,2013:Post/1567926 2020-07-02T14:23:38Z 2020-07-02T14:23:38Z From the heart of Poiesis and Enchantment in Topological Matter

Dear Synthesis Travelers and Friends of Prototyping Social Forms:

If you have a snippet of time today before today's PSF seminar, I hope you'll enjoy the opening Preface and the chapter 1 “Why This Book?”, skipping the description of the art projects pp 10-15!   It’s written to read comfortably aloud.

If we set aside transcendentalist appeals to universal immortal frameworks structuring our experience, and in the absence of any Archimedean point external to subjective experience upon which we can lever social and ethico-aesthetic judgment, what remains? How can any sense of sociality, solidarity, pathic subjectivity emerge? Not from an atomic world, because we run into complexity and the problem of intersubjectivity—the problem of how monads or groups of monads sum to one society. However, if we start with a plenum—already one substance—then we have, not a starting place—an Archimedean leverage point—but a magma of costructuration that can be the substrate of subjectivation. This magma is already continuous and laden with value, saturated with time and all other quality-creating processes. This magma is not reductionist because it admits infinity and the imaginary—with boundlessly many modes of potential being. All monads, being formed in/out of this magma, are already touching, therefore making ethical action possible. The dynamical behavior of the world’s distributed media is costructured with our noematic experience of the world. Hence the apparently simultaneous emergence of shared patterns of behavior or recognition. The contemporaneity is an artifact of the contemporaneous time slice (or Poincaré section) of the evolving world. It’s the very acausality of that contemporaneous region coimplicated with the nonforced, nondeterminist realm of [poietic] action that is ethical.


I take the liberty of deleting and disavowing the “one substance” clause, and of adding poietic,  and of replacing nonperforming by nontheatrical.
And… here are some tactics that we’ve tried and found fertile, even life-affirming.   See you today 3:00 - 4:30 in zoom!


Epilogue: Conceptual Tactics 


This book does not presume to explain what the world really is made of or how the world really works, or what it really means to be human. It does not “argue” but gives a sense of how one might regard the world with a certain as-if. Inspired by the tactics of a Zhuangzi against the logicians and Confucian order, a de Certeau or the situationists vis-à-vis their city, and Grotowski’s nonperforming [non-theatrical] performance laboratory, I’ve collected a few conceptual tactics over the years, a set of orienting tropisms, what Stengers and Whitehead have called lures for feeling and thinking. They are particu- larly elaborate lures, informed by political, artistic, and technological practices, but they are not recipes or methodologies. (Parenthetically speaking, methodology comes after the practice becomes a process that no longer generates knowledge.) These tactics seem to recur with enough salience to be worth recording. Just as the final chapter of Deleuze and Guattari’s Milles plateaux constituted anything but the answers-at-the- end-of-the-book for their reader, let me offer these tactics as a measure against the development of any methodology or school of practice or theory.

We have seen enough leadening in the wake of inspired work (of Marx, Grotowski, Freud, Heraclitus, Christopher Alexander, Deleuze, Guattari) to make me feel more than a little concerned about how readers may “apply” this book in their own work. You have been advised.

(1) Dynamical thinking, topological dynamics, is not so much a metaphysics (which would again be making truth claims) but a style, a way of thinking and making that is sensitive to ethico-aesthetic poiesis.

(2) Use any formal structure, any form, any theory, any representation, but as a trellis, not a carapace for thinking.

(3) Turn nouns into verbs.

(4) Instead of making a theory that makes propositions of the form “X is Y,” try making a theory that turns presumed identities into disequalities, “X > Y” or “X 􏰄⊊ Y.” This is not merely a distinction but a local gradient. Recognize that the vectoriality of the gradient is itself part of your construction, so there you are not making a totalizing claim.

(5) Avoid monocausality, reductionism, looking for the primitive, the ur-explanation, the originary cause or event. A category or predicate P so universal that everything is P is useless. If you define a category S or a predicate P, see if as many things of interest are not in S as are, or do not have predicate P as do.

(6) Aim for richness and multiplicity, which is not complexity.

(7) In art, use the concepts to transform not just the appearance but the making as well. Be dissatisfied with allegory.

(8) Instead of making identities, use a modified form of implication, meaning not “necessarily-leads-to” but “enables.” My suggestion that we use implication in the sense of enabling removes the necessity and the imperative, and replaces those with permitting, scaffolding, trellising, and sustaining as partial actions (analogous to partial objects) to be defined fully only in the event. 

________________________________________________


On Jul 1, 2020, at 3:32 PM, sxw asu <sxwasu@gmail.com> wrote:

Hi all, 

As a reminder, and referring to Muindi’s summary of the first phase of the PSF seminars, our goal with these “lite” sessions of the Alter-Eco seminars is to rehearse possible seminar-studios that could be offered under the general thematic of “Alter-Eco” by having discussion leaders step through a sketch of the seminar or studio.

Once we step through the sketch of the event, well offer feedback on the content, references, pedagogical design, format.   Each session will come with a proposed set of readings, and some minimal recommended material to pre-view. 

Really looking forward to tomorrow! Our first session (with follow-ups over the subsequent two weeks) will be dedicated to:

Description

If asked what the world is made of, we can say it’s made of objects, or we can say it’s made of stuff. This seminar takes the point of view of stuff, the stuff of which objects are made.  But instead of asking what stuff the world is made of, we ask how the stuff changes, how things and relations emerge and transform.   Repurposing Galileo’s legendary observation – Eppur si muove – we will read and discuss theories of dynamic, historicity, process, and temporality.  Participants will bring, create and write about examples from their own practices and studies. 

Session

  • Presentation: Transformation, Process, Continuity and Field (Xin Wei)
  • Working vocabulary: We will workshop some of the most salient terms so that they may provide some conceptual scaffolding and guidance for subsequent sessions
  • Open discussion
  • With the time remaining, start gleaning some feedback on content, purpose, and format 

Time: 3:00-4:30pm (ET), 07/02/20

Zoom link here

Resources

** Readings are optional! We list them here so that you may go through them on your own time, and know what will be referenced during the session. 


Gabriele + Xin Wei

On Jun 27, 2020, at 9:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:

Hi team,

As you know, I've already drafted a summary of our last PSF session here: https://docs.google.com/document/d/1pOI2FqFj6h3w7auPMjMMrX-30Ak0_ZYlU_aGlykiy3Q/edit?usp=drivesdk

Please do review the above and make additions, comments, and revisions. Then feel free to post the text wherever you'd like. As I mentioned in the Slack, I will be drafting summaries, like the one linked above, withinh 48 hours of all future, Phase 2, sessions of PSF

As I also mentioned in the Slack channel, I'd like to produce one longer summary of the previous, Phase 1, sessions. To help me do so, I'd like to meet with any one insterested in such summaries to chat about what they would like me to extract from the previous sessions. If you have time next week to meet please shoot me a Slack.

Best,

Muindi

___________________________________________
________________________________________________
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tag:prototyping.posthaven.com,2013:Post/1567657 2020-07-01T19:32:55Z 2020-07-01T19:32:55Z PSF --> Alter-Eco Seminar: Emergence, Ontogenesis, Individuation
Hi all, 

As a reminder, and referring to Muindi’s summary of the first phase of the PSF seminars, our goal with these “lite” sessions of the Alter-Eco seminars is to rehearse possible seminar-studios that could be offered under the general thematic of “Alter-Eco” by having discussion leaders step through a sketch of the seminar or studio.

Once we step through the sketch of the event, well offer feedback on the content, references, pedagogical design, format.   Each session will come with a proposed set of readings, and some minimal recommended material to pre-view. 

Really looking forward to tomorrow! Our first session (with follow-ups over the subsequent two weeks) will be dedicated to:

Emergence, Ontogenesis, Individuation
Zoom Thursdays 15:00 -16:30 EST
Description

If asked what the world is made of, we can say it’s made of objects, or we can say it’s made of stuff. This seminar takes the point of view of stuff, the stuff of which objects are made.  But instead of asking what stuff the world is made of, we ask how the stuff changes, how things and relations emerge and transform.   Repurposing Galileo’s legendary observation – Eppur si muove – we will read and discuss theories of dynamic, historicity, process, and temporality.  Participants will bring, create and write about examples from their own practices and studies. 

Session

  • Presentation: Transformation, Process, Continuity and Field (Xin Wei)
  • Working vocabulary: We will workshop some of the most salient terms so that they may provide some conceptual scaffolding and guidance for subsequent sessions
  • Open discussion
  • With the time remaining, start gleaning some feedback on content, purpose, and format 

Time: 3:00-4:30pm (ET), 07/02/20

Zoom link here

Resources

** Readings are optional! We list them here so that you may go through them on your own time, and know what will be referenced during the session. 

Recommended pre-view


Additional

Gabriele + Xin Wei

On Jun 27, 2020, at 9:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:

Hi team,

As you know, I've already drafted a summary of our last PSF session here: https://docs.google.com/document/d/1pOI2FqFj6h3w7auPMjMMrX-30Ak0_ZYlU_aGlykiy3Q/edit?usp=drivesdk

Please do review the above and make additions, comments, and revisions. Then feel free to post the text wherever you'd like. As I mentioned in the Slack, I will be drafting summaries, like the one linked above, withinh 48 hours of all future, Phase 2, sessions of PSF

As I also mentioned in the Slack channel, I'd like to produce one longer summary of the previous, Phase 1, sessions. To help me do so, I'd like to meet with any one insterested in such summaries to chat about what they would like me to extract from the previous sessions. If you have time next week to meet please shoot me a Slack.

Best,

Muindi

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tag:prototyping.posthaven.com,2013:Post/1546591 2020-05-19T01:53:02Z 2020-05-19T01:53:03Z How Holodeck is not "diagrammatic" Omar pointed to Wyn Burleson’s Holodeck at NYU.  http://holodeck.nyu.edu/.  It’s an extremely helpful link.  
(We at AME know the director.)  Can you all please point out how it differs from or resonates with what you envision?  It says some of the right things, but somehow is not what I envision what we aspire to create.  It’s important for "branding" purposes to explain how Diagrammatic ≠ Holodeck.   Muindi articulated the differences lucidly:

@xinwei Thanks for sharing the link to the Holodeck. I think it would be a fruitful exercise to distinguish between what we desire and dream about and the expressed desires and dreams of the  NYU group. One thing that immediately comes to mind is that the term “Holodeck” conjures very different cultural artifacts and theories than Garrett’s term “Diagrammatic” does. This is not just a matter of cultural distinction: a high-culture reference to the ideas of French philosophers vs. a low culture reference to Star Trek. NYU’s Holodeck website features the term “verisimilitude” and it is “verisimilitude” that they are after when they seek to create “immersive environments” that advance “high-fidelity simulation”. The Stark Trek Holodeck is all about “verisimilitude”. I, for one, haven’t any interest in verisimilitude. Understand that "verisimilitude" implies a simulation being truly like what it represents, like a holographic simulation of a battle that "looks and sounds just like a real battle does".Deleuze and Guattari’s diagrams aren’t “true likenesses” (verus + similis). D+G’s diagrams are rough sketches (think of Leonardo Da Vinci’s sketches) at their most “verisimilar”, when most like what they are describing; and they are gestural abstractions (think of Cy Twombly's paintings) at their least “verisimilar”, when least like what they are describing. To use a more scientific example: a phase portrait of pendular motion is a kind gestural abstraction that is not "verisimilar" to what it describes, that is not a "true likeness" of what it describes.An immersive environment for creating gestural abractions with others is one thing, an immersive environment for verisimilar simulations of phenomena is another thing altogether. The former is what I am after. (edited) 




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tag:prototyping.posthaven.com,2013:Post/1545156 2020-05-16T04:25:56Z 2020-05-16T04:25:57Z Embodied Learning Spaaces design, video + transcript
Dear Synthesis Embodied Learning group

Here’s the video + transcript of the 
Topic: Synthesis Embodied Learning Spaces
Date: May 15, 2020 01:48 PM Arizona

Zoom Meeting Recording
Access Password: SynthesisB21!

GDrive: Embodied Learning

@Ivan et folks interested in tracking freehand gesture: ..  freehand part of Garrett's Diagrammatic, let’s consider 

GESTURE FOLLOWER :  http://rapidmix.goldsmithsdigital.com/features/gesture-follower/
The Gesture Follower allows for real-time comparison between a gesture performed live with a set of prerecorded examples. The implementation can be seen as an hybrid between DTW (Dynamic Time Warming) and HMM (Hidden Markov Models).  The Gesture Follower corresponds to a different interaction paradigm  motivated by applications on expressive visuals and sound control: the system outputs “continuously” (i.e. on a fine temporal grain) parameters characterising the performed gesture.


Omar as interested in AR markup of public space, looking at Microsoft’s AR toolkit, and having built his own back end with a Google-earth interface.  Just finishing his MS at NYU

Connor in-house expert, and a principal author of SC kit.

Xin Wei
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tag:prototyping.posthaven.com,2013:Post/1541431 2020-05-08T00:51:21Z 2020-05-08T00:51:21Z sutured augmented learning spaces, diagrammatic, 5/8 2 PM MST

See Zimin Proposal (augmented learning environment) https://docs.google.com/document/d/1vLwEIvjrWbPanZ2ZLKFOBzEvIzyrkTwmkfkARBTyOgQ/edit

Diagrammatic Master Doc https://docs.google.com/document/d/1k0Up-3Q0YvZbbBJwmaeqRN0RfsAJeDwGQzaoAmbn7CM/edit

Possible courses and workshops:

• Digital Culture / Media studies / Computational thinking; Media choreography for non-coders (Leonardo?) • Augmented sutured learning environments + diagrammatic + ecology of things • Place-labs (Dartington, Leonardo) • Alter-Economics: alter-finance (EGS, UNDP) • Emergence, Individuation, Ontogenesis, complex systems (EGS, UNDP)

• Trans-course portfolio

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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1538454 2020-05-01T21:00:09Z 2020-05-01T21:00:09Z poor theory manifesto
Here are two versions of the poor theory manifesto from UCI critical theory / radical history network 
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1538128 2020-05-01T05:34:38Z 2020-05-01T05:34:38Z Experiment and Experience (v2) The syllabus for the seminar on Experiment and Experience may be useful background.  Here are readings with embedded extracts:

Artaud, Antonin. The Theatre and Its Double: Essays. London,: Calder & Boyars, 1970.

Carl Bergstrom and Jevin West, Case Study: Criminal machine learning, 2017.

Brook, Peter. The Empty Space. [1st American ed. New York,: Atheneum, 1968.

Brook, Peter. The Open Door : Thoughts on Acting and Theatre. 1st Anchor Books ed. New York: Anchor Books, 2005.

Burnett Masters of All They Surveyed "Terra Incognita" and "Marks on the Land"

Calude, Cristian S., and Giuseppe Longo. "The Deluge of Spurious Correlations in Big Data." Foundations of Science 22.3 (2017) 595–612.

Debord, Guy. The Society of the Spectacle. La société du spectacle 1967. New York: Zone Books, 1994.

Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus : Capitalism and Schizophrenia. tr. Brian Massumi. Minneapolis: University of Minnesota Press, 1987(1980).

Derrida, Jacques. Writing and Difference. Chicago: University of Chicago Press, 1978.

Grotowski, Jerzy, and Eugenio Barba. Towards a Poor Theatre. 1st Routledge ed. New York: Routledge, 2002.

Heidegger, Martin. Poetry, Language, Thought. HarperCollins Canada / Harper Trade, 2001.

Henrich, Joseph, Steven Heine, Ara Norenzayan, "The Weirdest People in the World," 2009.

Heraclitus, and Charles H. Kahn. The Art and Thought of Heraclitus: An Edition of the Fragments with Translation and Commentary. Cambridge, [Eng.] ; New York: Cambridge University Press, 1979.

James, William. Essays on Radical Empiricism. York: Longman Green and Co, 1912.

Jänich, Klaus. Topology. Berlin: Springer-Verlag, 1980, 1984.

Latour, Bruno. “Drawing Things Together”

Lefebvre, Henri. Rhythmanalysis : Space, Time, and Everyday Life. London, New York: Continuum, 2004.

Magnusson, Thor. “Of Epistemic Tools: musical instruments as cognitive extensions,” Organised Sound, 14  (2009), 168-176.

Marker, Chris. San Soleil (film).

Maturana, Humberto R., and Francisco J. Varela. Autopoiesis and Cognition: The Realization of the Living. Boston Studies in the Philosophy of Science. Vol. 42. Dordrecht, Holland, Boston: D. Reidel Pub. Co., 1980.

Merleau-Ponty, Maurice, and Donald A. Landes. Phenomenology of Perception. Abingdon, Oxon ; New York: Routledge, 2011.  Introduction & ToCExcerpts re. the Body.

O’Gorman, Marcel, Necromedia

Petitot, Jean. "Morphological Eidetics for Phenomenology of Perception." Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science. Ed. J. Petitot, F. J. Varela, J.-M. Roy, B. Pachoud. Stanford: Stanford University Press, 1999. 330-71.

Pye, D. The Nature and Art of Workmanship. Cambridge UP, 1968, 17-29.

Prigogine, I., and Isabelle Stengers. Order out of Chaos : Man's New Dialogue with Nature. Toronto ; New York, N.Y.: Bantam Books, 1984.

Sennett, R. The Craftsman. Yale University Press, 2008, Chapter 1.

Sha, Xin Wei. Poiesis, Enchantment, and Topological Matter. MIT Press, 2013.

Sha X. W., "Topology and Morphogenesis," Theory, Culture & Society 29 (4-5), 2013.

Sicart, Miguel. "Against Procedurality." Game Studies 11.3 (2011).

Stengers, Isabelle. "Beyond Conversation: The Risks of Peace." Process and Difference: Between Cosmological and Poststructuralist Postmodernisms. Eds. Keller, Catherine and Anne Daniell. New York: SUNY, 2002. 235-55.

Whitehead, Alfred North. Process and Reality: An Essay in Cosmology. Eds. Griffin, David Ray and Donald W. Sherburne. Corrected ed. New York: The Free Press, 1978.

Wittgenstein, Ludwig, and G. E. M. Anscombe. Philosophical Investigations : The German Text, with a Revised English Translation. 3rd ed. Malden, MA,: Blackwell Pub., 2003.

Xiaolin Wu, and Xi Zhang, "Automated Inference on Criminality using Face Images," 2016.  With responses to critiques. (2017)
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1538097 2020-05-01T01:42:57Z 2020-05-01T01:42:57Z Experiment and Experience
The readings for Experiment and Experience may be useful background
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1535829 2020-04-26T15:32:37Z 2020-04-26T15:32:37Z Guattari, on the production of subjectivity
In our last session, Gabriele suggested that a key problem before us is the production of subjectivity.  Indeed yes!  (And here’s why I propose a study of Daoism to provide a parallax refreshingly distinct from Western subjectivity under the flag of “Self”.)

Guattari began and ended his Chaosmosis: An Ethico-aesthetic Paradigm with this challenge to think, and act in many ways, on the production of subjectivity:

[1]
My professional activities in the field of psychotherapy, like my political and cultural engagements, have led me increasingly to put the emphasis on subjectivity as the product of individuals, groups and institutions.
Considering subjectivity from thepoint of view of its production does not imply any return to traditional systems of binary determination— material infrastructure / ideological superstructure. The various semiotic registers that combine to engender subjectivity do not maintain obligatory hierarchical relations fixed for all time.  Sometimes, for example, economic semiotisation becomes dependent on collective psychological factors — look at the sensitivity of the stock exchange to fluctuations of opinion.  Subjectivity is in fact plural and polyphonic — to use Mikhail Bakhtin' s expression. It recognises no dominant or determinant instance guiding all other forms according to a univocal causality.
At least three types of problem prompt us to enlarge the definition of subjectivity beyond the classical opposition between individual subject and society, and in so doing, revise the models of the unconscious currently in circulation: the irruption of
[2]
subjective factors at the forefront of current events, the massive development of machinic productions of subjectivity and, finally, the recent prominence of ethological and ecological perspectives on human subjectivity.
Subjective factors have always held an important place in
the course of history.  But it seems that with the global diffusion of the mass media they are beginning to play a dominant role. We will only give a few brief examples here.  The immense movement unleashed by the Chinese students at Tiananmen Square obviously had as its goal the slogans of political democratisation. But it is equally certain that the contagious affective charges it bore far surpassed simple ideological demands. A whole lifestyle, collective ethic and conception of social relations (derived largely from Western images) were set into motion. And in the long run tanks won't be able to stop it! As in Hungary or Poland, collective existential mutation will have the last word! All the same, large movements of subjectivation don't necessarily develop in the direction of emancipation.  The massive subjective revolution which has been developing among the Iranian people f or more than ten years is focused on religious archaisms and generally conservative social attitudes - particularly with regard to the position of women (this is a sensitive issue in France, because of the events in the Maghreb and the repercussions of these repressive attitudes to women in the area of immigration).
In the Eastern bloc, the fall of the Iron Curtain didn't happen as the result of armed insurrection but through the crystallisation of an immense collective desire annihilating the mental substrate of the post-Stalin totalitarian system. This is a phenomenon of extreme complexity, since it intermingles emancipatory aspirations with retrogressive, conservative even fascist drives of a nationalistic, ethnic and religious nature.  In this upheaval, how will the populations of central
[3]
Europe and the Easternbloc overcome the bitter deception the capitalist West has reserved for them until now? History will tell us — admittedly a Historyfull of unpleasant surprises but, why not — about a subsequent renewal of social struggles! By contrast, how murderous the Gulf War will have been! One could almost speak of genocide, since this war led to the extermination of many more Iraqis (counting all ethnic groups) than there were victims of the bombs dropped at Hiroshima and Nagasaki in 1945. With the passage of time it seems clear that what was at stake was an attempt to bring the Arab populations to heel and reclaim world opinion: it had to be demonstrated that the Yankee way of subjectivation could be imposed by the combined power of the media and arms.
[135]
Among the fogs and miasmas which obscure our fin de millénaire, the question of subjectivity is now returning as a leit-motiv. It is not a natural given any more than air or water. How do we produce it, capture it, enrich it, and permanently reinvent it in a way that renders it compatible with Universes of mutant value?  How do we work for its liberation, that is, for its resingularisation?  Psychoanalysis, institutional analysis, film, literature, poetry, innovative pedagogies, town planning and architecture — all the disciplines will have to combine their creativity to ward off the ordeals of barbarism, the mental implosion and chaosmic spasms looming on the horizon, and transform them into riches and unforeseen pleasures, the promises of which, for all that, are all too tangible.


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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1535006 2020-04-24T14:26:31Z 2020-04-24T14:26:31Z Slides and video for Research-creation, and the Atelier-Lab as a Transversal Machine
Dear PSF Folks,

Attached is the set of slides from the presentation from yesterday: Research-creation, and the Atelier-Lab as a Transversal Machine.

And here's a private link to the video 

Next Thursday April 30, 14:30 EST: Damian Arteca will share his work.

And the week after: May 7, we look forward to Erik Bordeleau’s comments.  (See next email and for Erik's note.)

Xin Wei
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1534580 2020-04-23T15:46:11Z 2020-04-23T15:46:11Z Research-creation, and The Atelier-Lab as a Transversal Machine Hi Everyone,

To follow on Sophie’s post, let me add: 
a letter: “What is research in contemporary art?” , 
a note about what’s at stake for research-creation at the Synthesis Center, 
and a revised introduction to the TML article "The Atelier-Lab as a Transversal Machine”.

Looking forward to discussing these experiences and ideas for the future, 2:30 - 4:00 EST today. (Zoom links at end of this email.)

***
Synthesis @ ASU  Whats at stake?


***
Synthesis @ ASU  Whats at stake?

The Topological Media Lab was built to create poetic-computational techne : gestural media and responsive environments  that are quite alien to what most computer scientists and engineers, and media theorists and artists for that matter mean by computation or media. 

One of Synthesis’ major research streams is to explore as deeply as possible what we can do poetically and philosophically with gestural temporal textures, non-anthropocentrically.

Art all the way down:  We do not eschew techne.  Indeed we create our own tactics, techniques, code, instruments and platforms, attentive to criteria and concerns very different than market-based art, technoscience or carbon capitalism.  But rather than rest content with DIY techne, we go deep into coding and speculative engineering below the conventional boundary between art and “mere” technology, detourning the conceptual frames that scaffold store-bought kits and ready-made forms of art and design.

Radical criticality: we do not accept the terms handed to us by carbon capitalist commodity technology.  Thus, a lot of the critiques such as identity politics, media theory, and digital humanities, are problematic because they are not adequate to the technicity in play (Simondon).  And commentary and representation, however clever, do not suffice as critical engagement, at least for Synthesis.

Co-articulation: no “ontological” distinction between creator and spectator, indeed between subject and object, director and engineer, means that the actants and intentions in a situation do not pre-exist the event.

Non-anthropomorphic: While we always work from our lived human condition, we do not think and act as if we humans are the only or the most important beings in the world.

Enchantment of the everyday: Rather than make work for the frame of art, we insert interventions into everyday built environment that create conditions under which ordinary can assume significance or even symbolic charge.

Topological media: Palpable continuous fields that vary continuously in response to continuous transformation.

Responsive media: Fields of light, sound, gesture, moving matter that vary continuously to arbitrary activity, admitting gestural or calligraphic nuance, and un-preschematized play.

SC wants to host research projects that help build the constantly evolving delta of research streams: enduring questions, propositions, inquiries that we’re pursuing with all our forces and friends.  Here are some: http://synthesiscenter.net/research/
e.g.
• Multi-scale rhythmanalytic approach to experience
• Using gestural (responsive) media to explore temporal texture
• Ontogenesis and the emergence of sense
• Experiential simulations: how can becoming weather or ocean
be a mode of non-anthropocentric and non-anthropomorphic 
but embodied and enactive experience?
• Vegetal life: non-anthropocentric approach to ethico-aesthetic individuation

I also attach a snapshot of what’s currently in play (Synthesis Brief slides). There are infinitely many ways to explore these enduring questions or propositions.  Can we explore any of them not as soloists in ego-based art, but jointly?

What I’d like to explore with you about your proposed project(s) is not the what, but the why — what’s at stake?

Let’s talk and see if we can develop some common interests first…

By the way, in addition to the projects related to the streams, we have a new crop of small PhD projects co-sponsored that may be getting ready for hosting at SC, including:


***


The Atelier-Lab as a Transversal Machine
Revue française d'études américaines (2012)
Introduction (Revised April 2020):

Two decades ago, Felix Guattari pointed to the heterogeneous machines around us: material, semiotic/diagrammatic/algorithmic, corporeal, mental/representational/informatic, libidinal/ affective. Guattari’s Chaosmosis asked how we could construct machines that act transversally across those machines. From 2001 to 2013, the Topological Media Lab (TML) worked as a university-based atelier-laboratory transversal to computer science, performing arts, architecture and the built environment, to generate insights and techniques in the domain of new media and responsive environments. The TML was an academic research center for gestural, performative, and embodied expression in responsive media environments.

The TML’s theoretical project concerned ontogenesis in performative event — how subjects and objects take shape in a continuous dynamical ontology.  Its critical inquiry started from the limits of discrete representation, and seeks alternatives to linguistic-semiotic analysis in the form of non-metric topological, dynamical, potential-theoretic and other material patterning. An important aspiration was to discover non-anthropocentric ways to articulate improvisatory ethico-aesthetic gesture.

Improvisation does not mean something willful or random. It is conditioned by past aspiration and heuristics, but not by a deterministic plan. The atelier was motivated by the question: How can ordinary actions in everyday environments acquire symbolic charge?  What makes some environments enlivening and others deadening?

Reflexively, we ask: To what extent can we instantiate labs or ateliers for the creation of apparatuses for ethico-aesthetic improvisation? This contribution describes institutional, socio-technical, political, economic issues around running such an atelier-laboratory as an alternative social economy complementary to post-industrial, “knowledge-based” economies.


On Apr 22, 2020, at 8:15 PM, Sophie Strassmann <sophie.strassmann@mail.mcgill.ca> wrote:

Dear PSF Community,

Xin Wei has prepared an agenda of conversation tomorrow, Thursday @2:30 PM - 4 PM (EST). Please read the introduction Xin Wei kindly composed below so that we can hit the ground running! Here is the link to the original article, that we strongly suggest taking a look at.

Zoom/Meeting Access:
Use this link with the following password; 20202021. If that link doesn't work, use this one (shouldn't have a password).

Hope to see you there!
Sophie
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1531987 2020-04-16T15:14:49Z 2020-04-16T15:14:49Z PSF meeting transcript 14 April 2020 14 April 2020
https://otter.ai/note/22B6H3FUFMR5MJBR

Lightly edited
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1531986 2020-04-16T15:14:30Z 2020-04-16T15:14:30Z PSF meeting transcript 7 April 2020
7 April 2020
https://otter.ai/s/27ZuYsrHQbyAD80DIii1Eg
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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1531886 2020-04-16T10:47:22Z 2020-04-16T10:47:22Z the IMF and Its Discontents

Many of you will be familiar with this critique of The IMF or World Bank, from Chomsky and many other sources. What distinguishes Joseph Stiglitz is that he served as senior vice president and chief economist of the World Bank and is a former member and chairman of the US President's Council of Economic Advisors, and received the Nobel Prize in Economics 2001.  So he knows his target from the inside.

See also Yanis Varoukis on revamping the IMF and World Bank

The IMF and Its Discontents

bcq The IMF has drawn vocal criticism over the years. In his 2002 book, Globalization and Its Discontents, Nobel Prize–winning economist Joseph Stiglitz denounced the fund as a primary culprit in the failed development policies implemented in some of the world’s poorest countries. He argues that many of the economic reforms the IMF required as conditions for its lending—fiscal austerity, high interest ratestrade liberalizationprivatization, and open capital markets—have often been counterproductive for target economies and devastating for local populations.

The fund has also been criticized on the basis of overreach or “mission creep.” William Easterly makes this case in his 2006 account of the failures of Western aid to the undeveloped world, The White Man’s Burden. While he acknowledges some IMF successes in firefighting financial crises in Mexico and East Asian countries in the mid-1990s, he criticizes many of the fund’s interventions in severely impoverished countries, particularly in Africa and Latin America, as overly ambitious and intrusive. In addition, he describes many of the fund’s loan conditions and technical advice as out of touch with ground-level realities.

In recent years, the IMF’s work in more advanced economies has drawn ire as well.   

In recent years, the IMF’s work in more advanced economies has drawn ire as well. Greece has been the most high-profile example, as troika-imposed austerity measures deepened the country’s economic contraction. In July 2015, popular discontent led to a “no” vote in a referendum on whether to accept the IMF’s loan conditions, which included raising taxes, lowering pensions and other spending, and privatizing industries. The government subsequently ignored the results and accepted the loans. However, the Greek case also saw the IMF soften its stance on austerity, at least compared with the European Commission and ECB. In 2016, senior IMF economists argued that more austerity would be counterproductive, and in 2018 the fund raised the alarm about the unsustainability of Greece’s debt burden, putting it at odds with the rest of the troika.

However, others dismiss the suggestion that the IMF’s approach changed. In 2016, the Guardian’s economics editor, Larry Elliott, wrote that “the IMF’s remedy for Greece and Portugal during the Eurozone crisis has been straight out of the structural adjustment playbook: reduce public spending, cut salaries and benefits, insist that state-owned enterprises return to the private sector, reduce minimum wages, and restrict collective bargaining.”

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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1528861 2020-04-08T23:24:22Z 2020-04-08T23:24:22Z THE TIME ZONE RESEARCH LAB (Nadia Chaney)
Nadia Chaney and Epok the Usher present...
THE TIME ZONE RESEARCH LAB

WHAT:
It’s a community research lab that uses art-based practices to investigate the nature of Time and Temporality. It will take place in-person in Montreal and online anywhere in the universe.

PURPOSE:
1. To befriend Time as a being in its own right, to understand its entrapment in late capitalism. To imagine and practice the liberation of Time. To find and enjoy new ways of relating to Time.
2. To study together and generate knowledge in an environment of creativity and kindness that brings us all abundance and a sense of hope.
3. To generate 100 arts-based activities that investigate various aspects of the nature of Time and Temporality.





___________________________________________
Sha Xin Wei | skype: shaxinwei | mobile: +1-650-815-9962 | asu.zoom.us/my/shaxinwei
________________________________________________

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Xin Wei Sha
tag:prototyping.posthaven.com,2013:Post/1528341 2020-04-07T18:18:54Z 2020-04-07T22:50:15Z Re: PSF zoom Tuesday 2:30 PM EST? I too am in that boat. Would be happy to join in or regular exchanges once this week is over.

Rebecca

On Apr 7, 2020, at 14:14, Anita Parmar, Dr. <anita.parmar@mcgill.ca> wrote:

I have a conflict today, but would love to listen next time. If I finish early today, I'll join. 

A.

Anita Parmar, PhD  |  Co-Director, B21  |  McGill University  |  651 Sherbrooke Street W  |  514–398–6824



From: Damian Arteca <damian.arteca@mail.mcgill.ca>

I'm in!

Dear Prototyping Social Forms friends,

The world has tilted since our dinner at Sophie’s place a couple of months ago.  And our polyphonic concerns and aspirations seem more urgent than ever.

Can we zoom Tuesday 14:30-15:30 EST
https://asu.zoom.us/my/shaxinwei

to relight the pilot flame ?

PS.  Here are some recent links ..

— An Indian perspective by Arundhati Roy, ‘The pandemic is a portal’:

— A characteristically lucid, strategic and concrete analysis by Varoufakis:

The coronavirus pandemic illuminates the vast structural catastrophe of capitalism which has rolled on and on since 2008.


— A caveat about how to interpret the coronavirus data:

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Rebecca Brosseau
tag:prototyping.posthaven.com,2013:Post/1528267 2020-04-07T14:00:49Z 2020-04-07T14:00:49Z resources re systemic bio-socio-technical change (three ecologies)
Here are four thoughtful, relevant articles and a video by Varoufakis

COVID-19: The Ultimate Stress Test for Our Global Futures
Global Futures Laboratory at Arizona State University

COVID-19 et capitalisme génétique
Thierry Bardini

Closing remarks: novel approaches to complex societal change and sustainability
Sander van der Leeuw

Plausible and desirable futures in the Anthropocene: A new research agenda
Xuemei Baia, Sander van der Leeuw, et al.

Video: Yanis Varoufakis on the economic and political impact of the coronavirus | DiEM25


Sophie, would you kindly add these to our psf archive?  Thanks!
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Xin Wei Sha