On Nov 29, 2020, at 4:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:Hi all,Thanks again for joining in the Alter-Eco/PSF reverb discussions that have taken place since November 2nd. Some of us are preparing some "process germs" to share with the group in response to our last discussion, but I don't think that these are ready yet. Thus, this week, I think we could discuss some potential texts to collaborate on and that we would feature on the Alter-Eco/PSF website alongside those "process germs" that can be dispersed digitally (again, as we discussed, some "process germs" that we are imagining can only be dispersed experientially or materially).Below are links to some of texts written in response to the Alter-Eco/PSF sessions this past summer. Feel free to briefly skim them, but note that we do not need to draw from them.
Finally, Xin Wei, I think the phrase "holding intentions light-ly" is quite fitting and fun to pun. All are welcome to diffract, refract, reflect, and transduce the expressed intentions as is their wont.
Date: Nov 16, 2020 09:59 AM ArizonaAccess Passcode: psf2020!Date: Nov 30, 2020 09:51 AM ArizonaAccess Passcode: psf2020!
Nov 29, 2020, at 4:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:Hi all,Thanks again for joining in the Alter-Eco/PSF reverb discussions that have taken place since November 2nd. Some of us are preparing some "process germs" to share with the group in response to our last discussion, but I don't think that these are ready yet. Thus, this week, I think we could discuss some potential texts to collaborate on and that we would feature on the Alter-Eco/PSF website alongside those "process germs" that can be dispersed digitally (again, as we discussed, some "process germs" that we are imagining can only be dispersed experientially or materially).Below are links to some of texts written in response to the Alter-Eco/PSF sessions this past summer. Feel free to briefly skim them, but note that we do not need to draw from them.
On Oct 9, 2020, at 5:36 PM, Muindi F Muindi <muindi@uw.edu> wrote:Hi team,
I am looking forward to catching up with many of you on November 2nd. I have taken the time to work up some of my notes from our sessions into sketches of texts we could collaborate on, and I have two (very rough) sketches that I can share now: one on "Defining Prototyping" (assembled from our Slack conversations) and another on "Measure and Intent". These two sketches outline insights rather than presenting a full-fledged argument for publication.Please follow the links below and feel free to add questions, comments, criticisms, and affirmations as you will. One thing to note is that both texts end with propositions about "substrates", and I am curious as to whether there are ways to weave the two texts together.Best,Muindi--
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On Jul 2, 2020, at 9:01 PM, sxw asu <sxwasu@gmail.com> wrote:(1) The “continuity” that Will pointed to, referring to a shared semantic / epistemic ground enabling a conversation that in Stenger’s terms risks exclusion or erasure imposed by asymmetric power, is, as far as I can tell, pretty radically disjoint from what mathematicians mean by continuous. So for the sake of conversation, let me suggest that we use a distinct word to point to that situation.
(2) If for the purposes of exploring ontogenesis and individuation, we adopt the "as-if" of thinking in terms of verbs and adverbs instead of nouns, in terms of disequalities and fields in place of graph-theoretic entity-predicate-relation tropes, let’s try to get a working understanding of transformation and of topological i.e. what mathematicians call continuous transformation. To that end, there’s the workshop on Primordial Concepts in Topology and Riemannian Geometry @ Vera Bühlmann and Ludger Hovestadt’s Metalithikum symposium
@14:00 Topological space (primordial to Riemannian manifold and fiber bundle, detourned by D&G, after Lautmann)@28:00 continuous mapping (transformation)What Is Topological Media?
Topological media for me is a set of working concepts, the simplest set of material and embodied articulations or expressions that allows us to engage in speculative engineer- ing, or philosophy as art, and to slip the leg irons and manacles of grammar, syntax, finite symbol systems, information and informatics, database schema, rules and pro- cedures. I argue that topological media is an articulation of continuous matter that permits us to relinquish a priori objects, subjects, egos, and yet constitute value and novelty.
Topology provides alternative, tough, durable, supple, and—to use Deleuze’s term— anexact concepts with which to articulate the living world, concepts like continuity, open set, convergence, density, accumulation and limit points, nondimensional, infi- nite, continuous transformation, topological space. To play on a motto from Latour, we have always been topological. It’s only in modern, or I should say modernist, times that we’ve been so enamored of digital representations, discrete logic, digital computa- tion, and quantization. I believe these concepts of continuity, openness, and transfor- mation also can inform how we evaluate art and technology and enrich the way we make them. There is nothing mathematically fancy about the elementary topology with which I begin, and this accords with my aim to make richness without complica- tion. Nonetheless, impelled by the way we approach ethico-aesthetic creation, we will appeal to significantly more developed mathematical patterns, most of which rigor- ously and poetically exceed the digital, discrete, computational domain.
The discrete drops out as a special case, by the way, so we are not losing anything of the graph theories (from syntax parsing trees to actor network theory), but just seeing them in their place would be enormously useful. The space of discrete graphs is so sparse as to be measure-theoretically null, entirely negligible at the human, meso scale.
It could be that one of the lures of the discrete has been the notion of choice, discrete choice, which in turn has been associated with freedom. But choice ≠ freedom. And indeed superfluity of choice may simply obscure freedom.
The lure is the possibility that these concepts could provide material and embodied ways to shape, unshape, rework, knead the world. Contemporary engineering is not based on the noncomputable, infinite, and continuous; therein lies the conceptual and technical challenge and interest.
(PETM, p 5-6)
(1) The “continuity” that Will pointed to, referring to a shared semantic / epistemic ground enabling a conversation that in Stenger’s terms risks exclusion or erasure imposed by asymmetric power, is, as far as I can tell, pretty radically disjoint from what mathematicians mean by continuous. So for the sake of conversation, let me suggest that we use a distinct word to point to that situation.
(2) If for the purposes of exploring ontogenesis and individuation, we adopt the "as-if" of thinking in terms of verbs and adverbs instead of nouns, in terms of disequalities and fields in place of graph-theoretic entity-predicate-relation tropes, let’s try to get a working understanding of transformation and of topological i.e. what mathematicians call continuous transformation. To that end, there’s the workshop on Primordial Concepts in Topology and Riemannian Geometry @ Vera Bühlmann and Ludger Hovestadt’s Metalithikum symposium
What Is Topological Media?
Topological media for me is a set of working concepts, the simplest set of material and embodied articulations or expressions that allows us to engage in speculative engineer- ing, or philosophy as art, and to slip the leg irons and manacles of grammar, syntax, finite symbol systems, information and informatics, database schema, rules and pro- cedures. I argue that topological media is an articulation of continuous matter that permits us to relinquish a priori objects, subjects, egos, and yet constitute value and novelty.
Topology provides alternative, tough, durable, supple, and—to use Deleuze’s term— anexact concepts with which to articulate the living world, concepts like continuity, open set, convergence, density, accumulation and limit points, nondimensional, infi- nite, continuous transformation, topological space. To play on a motto from Latour, we have always been topological. It’s only in modern, or I should say modernist, times that we’ve been so enamored of digital representations, discrete logic, digital computa- tion, and quantization. I believe these concepts of continuity, openness, and transfor- mation also can inform how we evaluate art and technology and enrich the way we make them. There is nothing mathematically fancy about the elementary topology with which I begin, and this accords with my aim to make richness without complica- tion. Nonetheless, impelled by the way we approach ethico-aesthetic creation, we will appeal to significantly more developed mathematical patterns, most of which rigor- ously and poetically exceed the digital, discrete, computational domain.
The discrete drops out as a special case, by the way, so we are not losing anything of the graph theories (from syntax parsing trees to actor network theory), but just seeing them in their place would be enormously useful. The space of discrete graphs is so sparse as to be measure-theoretically null, entirely negligible at the human, meso scale.
It could be that one of the lures of the discrete has been the notion of choice, discrete choice, which in turn has been associated with freedom. But choice ≠ freedom. And indeed superfluity of choice may simply obscure freedom.
The lure is the possibility that these concepts could provide material and embodied ways to shape, unshape, rework, knead the world. Contemporary engineering is not based on the noncomputable, infinite, and continuous; therein lies the conceptual and technical challenge and interest.
California Cap and Trade Case
In a June 12 ruling, the California Court of Appeal shot down a cap and trade system proposed in San Diego County which had served as a centerpiece of its Climate Action Plan proposed in 2011.
Per the Global Warming Solutions Act of 2006, every county must have a Climate Action Plan. San Diego County, the second most populous in the state and fifth most nationwide, proposed in 2011 to utilize a cap-and-trade carbon offset plan to enable real estate developers to continue “sprawl” style bailout of housing. That scheme, which allows those developers to purchase external carbon offsets as emissions allowances, came under fire by the climate and environmental movement though.
Responding, those groups—including Sierra Club, Center for Biological Diversity, Climate Action Campaign and others—filed a lawsuit saying that the cap-and-trade system will not solve the county’s climate issues, but rather exacerbate them. The groups argued that the plan ran counter to the California Environmental Quality Act because it did not properly analyze foreseeable emissions increases which could occur if put into place.
Cap-and-trade has long faced criticism from the climate justice movement for offering a de facto “indulgence” system for polluters—such as the fossil fuel industry, Big Ag and in this case Big Real Estate—to continue business as usual and then pay back for its emissions sins via offsets. Cap-and-trade also does little, they say, to tackle the pollution impacts faced by communities with people who are disproportionately working class and people of color.
In California, emissions from vehicles create 41% of the state’s greenhouse gas inventory, overwhelmingly the top emissions source in California. The plaintiffs in the case argued that the county’s cap-and-trade plan would only incentivize more buildout of housing in the county’s outskirts in its wildlands, in turn putting more vehicles on the roads.
Because its policy would have major impacts on the state’s ability to meet climate goals, California Attorney General Xavier also intervened in the case in October 2019, filing an amicus brief detailing why the state opposed the county’s plan.
“Ultimately, the CAP in its current form will perpetuate current sprawling development patterns, which will impede the ability of the region and State to reach their long-term climate objectives,” Becerra wrote of the San Diego County plan in his October 2019 amicus brief. “This is particularly concerning because of the crucial role of local governments in obtaining important [vehicle miles traveled] reductions.”
Ultimately, the Court of Appeal agreed, concluding that the county’s plan creates “unenforceable performance standards and improperly defers and delegates mitigation.”
“The CAP is not inconsistent with the County’s General Plan,” wrote the Court. “However, the County abused its discretion in approving the CAP because the CAP’s projected additional greenhouse gas emissions from projects requiring a general plan amendment is not supported by substantial evidence.”
San Diego County climate advocates celebrated the court ruling, calling it a win against “sprawl” style real estate development
]]>Dear Synthesis Travelers and Friends of Prototyping Social Forms:
On Jul 1, 2020, at 3:32 PM, sxw asu <sxwasu@gmail.com> wrote:Hi all,As a reminder, and referring to Muindi’s summary of the first phase of the PSF seminars, our goal with these “lite” sessions of the Alter-Eco seminars is to rehearse possible seminar-studios that could be offered under the general thematic of “Alter-Eco” by having discussion leaders step through a sketch of the seminar or studio.Once we step through the “sketch” of the event, we’ll offer feedback on the content, references, pedagogical design, format. Each session will come with a proposed set of readings, and some minimal recommended material to pre-view.Really looking forward to tomorrow! Our first session (with follow-ups over the subsequent two weeks) will be dedicated to:DescriptionIf asked what the world is made of, we can say it’s made of objects, or we can say it’s made of stuff. This seminar takes the point of view of stuff, the stuff of which objects are made. But instead of asking what stuff the world is made of, we ask how the stuff changes, how things and relations emerge and transform. Repurposing Galileo’s legendary observation – Eppur si muove – we will read and discuss theories of dynamic, historicity, process, and temporality. Participants will bring, create and write about examples from their own practices and studies.Session
- Presentation: Transformation, Process, Continuity and Field (Xin Wei)
- Working vocabulary: We will workshop some of the most salient terms so that they may provide some conceptual scaffolding and guidance for subsequent sessions
- Open discussion
- With the time remaining, start gleaning some feedback on content, purpose, and format
Resources** Readings are optional! We list them here so that you may go through them on your own time, and know what will be referenced during the session.Recommended pre-viewAdditional
- Coutinho, An Introduction to Daoist Philosophies (p 1-44);
- Coutinho, Zhuangzi and Early Chinese Philosophy, Vagueness: 'East' and 'West' (p 1-18);
- Sha, Poiesis Enchantment in Topological Matter, Preface (vii - ix), Why this Book? (p 1-10, 15-18), Substrate (p 89-121)
- Sha, "Topology and Morphogenesis" TCS 29.4-5
- https://ontogenesis-egs.weebly.com/syllabus.html
Gabriele + Xin WeiOn Jun 27, 2020, at 9:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:Hi team,As you know, I've already drafted a summary of our last PSF session here: https://docs.google.com/document/d/1pOI2FqFj6h3w7auPMjMMrX-30Ak0_ZYlU_aGlykiy3Q/edit?usp=drivesdkPlease do review the above and make additions, comments, and revisions. Then feel free to post the text wherever you'd like. As I mentioned in the Slack, I will be drafting summaries, like the one linked above, withinh 48 hours of all future, Phase 2, sessions of PSFAs I also mentioned in the Slack channel, I'd like to produce one longer summary of the previous, Phase 1, sessions. To help me do so, I'd like to meet with any one insterested in such summaries to chat about what they would like me to extract from the previous sessions. If you have time next week to meet please shoot me a Slack.Best,Muindi___________________________________________Professor Sha Xin Wei | skype: shaxinwei | mobile: +1-650-815-9962 | asu.zoom.us/my/shaxinwei________________________________________________
On Jun 27, 2020, at 9:00 PM, Muindi F Muindi <muindi@uw.edu> wrote:Hi team,As you know, I've already drafted a summary of our last PSF session here: https://docs.google.com/document/d/1pOI2FqFj6h3w7auPMjMMrX-30Ak0_ZYlU_aGlykiy3Q/edit?usp=drivesdk
Please do review the above and make additions, comments, and revisions. Then feel free to post the text wherever you'd like. As I mentioned in the Slack, I will be drafting summaries, like the one linked above, withinh 48 hours of all future, Phase 2, sessions of PSFAs I also mentioned in the Slack channel, I'd like to produce one longer summary of the previous, Phase 1, sessions. To help me do so, I'd like to meet with any one insterested in such summaries to chat about what they would like me to extract from the previous sessions. If you have time next week to meet please shoot me a Slack.Best,Muindi
See Zimin Proposal (augmented learning environment) https://docs.google.com/document/d/1vLwEIvjrWbPanZ2ZLKFOBzEvIzyrkTwmkfkARBTyOgQ/edit
Diagrammatic Master Doc https://docs.google.com/document/d/1k0Up-3Q0YvZbbBJwmaeqRN0RfsAJeDwGQzaoAmbn7CM/edit
Possible courses and workshops:
• Digital Culture / Media studies / Computational thinking; Media choreography for non-coders (Leonardo?) • Augmented sutured learning environments + diagrammatic + ecology of things • Place-labs (Dartington, Leonardo) • Alter-Economics: alter-finance (EGS, UNDP) • Emergence, Individuation, Ontogenesis, complex systems (EGS, UNDP)
• Trans-course portfolio
]]>[1]My professional activities in the field of psychotherapy, like my political and cultural engagements, have led me increasingly to put the emphasis on subjectivity as the product of individuals, groups and institutions.Considering subjectivity from thepoint of view of its production does not imply any return to traditional systems of binary determination— material infrastructure / ideological superstructure. The various semiotic registers that combine to engender subjectivity do not maintain obligatory hierarchical relations fixed for all time. Sometimes, for example, economic semiotisation becomes dependent on collective psychological factors — look at the sensitivity of the stock exchange to fluctuations of opinion. Subjectivity is in fact plural and polyphonic — to use Mikhail Bakhtin' s expression. It recognises no dominant or determinant instance guiding all other forms according to a univocal causality.At least three types of problem prompt us to enlarge the definition of subjectivity beyond the classical opposition between individual subject and society, and in so doing, revise the models of the unconscious currently in circulation: the irruption of[2]subjective factors at the forefront of current events, the massive development of machinic productions of subjectivity and, finally, the recent prominence of ethological and ecological perspectives on human subjectivity.Subjective factors have always held an important place inthe course of history. But it seems that with the global diffusion of the mass media they are beginning to play a dominant role. We will only give a few brief examples here. The immense movement unleashed by the Chinese students at Tiananmen Square obviously had as its goal the slogans of political democratisation. But it is equally certain that the contagious affective charges it bore far surpassed simple ideological demands. A whole lifestyle, collective ethic and conception of social relations (derived largely from Western images) were set into motion. And in the long run tanks won't be able to stop it! As in Hungary or Poland, collective existential mutation will have the last word! All the same, large movements of subjectivation don't necessarily develop in the direction of emancipation. The massive subjective revolution which has been developing among the Iranian people f or more than ten years is focused on religious archaisms and generally conservative social attitudes - particularly with regard to the position of women (this is a sensitive issue in France, because of the events in the Maghreb and the repercussions of these repressive attitudes to women in the area of immigration).In the Eastern bloc, the fall of the Iron Curtain didn't happen as the result of armed insurrection but through the crystallisation of an immense collective desire annihilating the mental substrate of the post-Stalin totalitarian system. This is a phenomenon of extreme complexity, since it intermingles emancipatory aspirations with retrogressive, conservative even fascist drives of a nationalistic, ethnic and religious nature. In this upheaval, how will the populations of central[3]Europe and the Easternbloc overcome the bitter deception the capitalist West has reserved for them until now? History will tell us — admittedly a Historyfull of unpleasant surprises but, why not — about a subsequent renewal of social struggles! By contrast, how murderous the Gulf War will have been! One could almost speak of genocide, since this war led to the extermination of many more Iraqis (counting all ethnic groups) than there were victims of the bombs dropped at Hiroshima and Nagasaki in 1945. With the passage of time it seems clear that what was at stake was an attempt to bring the Arab populations to heel and reclaim world opinion: it had to be demonstrated that the Yankee way of subjectivation could be imposed by the combined power of the media and arms.…[135]Among the fogs and miasmas which obscure our fin de millénaire, the question of subjectivity is now returning as a leit-motiv. It is not a natural given any more than air or water. How do we produce it, capture it, enrich it, and permanently reinvent it in a way that renders it compatible with Universes of mutant value? How do we work for its liberation, that is, for its resingularisation? Psychoanalysis, institutional analysis, film, literature, poetry, innovative pedagogies, town planning and architecture — all the disciplines will have to combine their creativity to ward off the ordeals of barbarism, the mental implosion and chaosmic spasms looming on the horizon, and transform them into riches and unforeseen pleasures, the promises of which, for all that, are all too tangible.
The Atelier-Lab as a Transversal MachineRevue française d'études américaines (2012)Introduction (Revised April 2020):Two decades ago, Felix Guattari pointed to the heterogeneous machines around us: material, semiotic/diagrammatic/algorithmic, corporeal, mental/representational/informatic, libidinal/ affective. Guattari’s Chaosmosis asked how we could construct machines that act transversally across those machines. From 2001 to 2013, the Topological Media Lab (TML) worked as a university-based atelier-laboratory transversal to computer science, performing arts, architecture and the built environment, to generate insights and techniques in the domain of new media and responsive environments. The TML was an academic research center for gestural, performative, and embodied expression in responsive media environments.The TML’s theoretical project concerned ontogenesis in performative event — how subjects and objects take shape in a continuous dynamical ontology. Its critical inquiry started from the limits of discrete representation, and seeks alternatives to linguistic-semiotic analysis in the form of non-metric topological, dynamical, potential-theoretic and other material patterning. An important aspiration was to discover non-anthropocentric ways to articulate improvisatory ethico-aesthetic gesture.Improvisation does not mean something willful or random. It is conditioned by past aspiration and heuristics, but not by a deterministic plan. The atelier was motivated by the question: How can ordinary actions in everyday environments acquire symbolic charge? What makes some environments enlivening and others deadening?Reflexively, we ask: To what extent can we instantiate labs or ateliers for the creation of apparatuses for ethico-aesthetic improvisation? This contribution describes institutional, socio-technical, political, economic issues around running such an atelier-laboratory as an alternative social economy complementary to post-industrial, “knowledge-based” economies.
On Apr 22, 2020, at 8:15 PM, Sophie Strassmann <sophie.strassmann@mail.mcgill.ca> wrote:
Dear PSF Community,Xin Wei has prepared an agenda of conversation tomorrow, Thursday @2:30 PM - 4 PM (EST). Please read the introduction Xin Wei kindly composed below so that we can hit the ground running! Here is the link to the original article, that we strongly suggest taking a look at.Zoom/Meeting Access:Use this link with the following password; 20202021. If that link doesn't work, use this one (shouldn't have a password).Hope to see you there!Sophie
bcq The IMF has drawn vocal criticism over the years. In his 2002 book, Globalization and Its Discontents, Nobel Prize–winning economist Joseph Stiglitz denounced the fund as a primary culprit in the failed development policies implemented in some of the world’s poorest countries. He argues that many of the economic reforms the IMF required as conditions for its lending—fiscal austerity, high interest rates, trade liberalization, privatization, and open capital markets—have often been counterproductive for target economies and devastating for local populations.
The fund has also been criticized on the basis of overreach or “mission creep.” William Easterly makes this case in his 2006 account of the failures of Western aid to the undeveloped world, The White Man’s Burden. While he acknowledges some IMF successes in firefighting financial crises in Mexico and East Asian countries in the mid-1990s, he criticizes many of the fund’s interventions in severely impoverished countries, particularly in Africa and Latin America, as overly ambitious and intrusive. In addition, he describes many of the fund’s loan conditions and technical advice as out of touch with ground-level realities.
In recent years, the IMF’s work in more advanced economies has drawn ire as well. Greece has been the most high-profile example, as troika-imposed austerity measures deepened the country’s economic contraction. In July 2015, popular discontent led to a “no” vote in a referendum on whether to accept the IMF’s loan conditions, which included raising taxes, lowering pensions and other spending, and privatizing industries. The government subsequently ignored the results and accepted the loans. However, the Greek case also saw the IMF soften its stance on austerity, at least compared with the European Commission and ECB. In 2016, senior IMF economists argued that more austerity would be counterproductive, and in 2018 the fund raised the alarm about the unsustainability of Greece’s debt burden, putting it at odds with the rest of the troika.
However, others dismiss the suggestion that the IMF’s approach changed. In 2016, the Guardian’s economics editor, Larry Elliott, wrote that “the IMF’s remedy for Greece and Portugal during the Eurozone crisis has been straight out of the structural adjustment playbook: reduce public spending, cut salaries and benefits, insist that state-owned enterprises return to the private sector, reduce minimum wages, and restrict collective bargaining.”
]]>On Apr 7, 2020, at 14:14, Anita Parmar, Dr. <anita.parmar@mcgill.ca> wrote:I have a conflict today, but would love to listen next time. If I finish early today, I'll join.
A.
Anita Parmar, PhD | Co-Director, B21 | McGill University | 651 Sherbrooke Street W | 514–398–6824
I'm in!
Dear Prototyping Social Forms friends,The world has tilted since our dinner at Sophie’s place a couple of months ago. And our polyphonic concerns and aspirations seem more urgent than ever.Can we zoom Tuesday 14:30-15:30 ESThttps://asu.zoom.us/my/shaxinweito relight the pilot flame ?PS. Here are some recent links ..— An Indian perspective by Arundhati Roy, ‘The pandemic is a portal’:— A characteristically lucid, strategic and concrete analysis by Varoufakis:The coronavirus pandemic illuminates the vast structural catastrophe of capitalism which has rolled on and on since 2008.— A caveat about how to interpret the coronavirus data: